Go to pages 24 & 25 to read my feature in https://mysteryreaders.org
The Danger of Mixing Truth and Fiction by Robin Donovan
Creating Donna Leigh was easy; she’s what I know best — me. At the time of her creation the majority of female sleuths were young, hot and flawless in their brilliance. A few others were old
and doddering, so Donna Leigh was something different. She was menopausal, so not young, and dammit not doddering either. She was not skinny, but she could look damn good in the right outfit. As far as flawless brilliance goes Donna was definitely smart, but far from flawless.
What Donna Leigh does have is a whole lot more common sense than the hot, young, and brilliant female sleuths who clamor to meet with a killer in a remote and abandoned spot without any arranged backup or any other kind of realis- tic plan to stay alive. Donna doesn’t do that. In fact, when she receives a call from a voice-dis- guised gentleman suggesting she meet him late at night and alone, she pretty much blasts his ear- drums out. By the end of the call he has identified himself and apologized for scaring her. You don’t typically see that in murder mysteries, but the mature and sophisticated woman does have some formidable characteristics.
When the Donna Leigh mysteries first took shape I was concerned about characters and their similarities to people I know. I could imagine a ton of lawsuits by folks who thought their deep dark secrets were being revealed through my hu- mor. I had the good fortune to consult a literary attorney who gave me a great piece of advice. He said “any character you create is going to bear some resemblance to people you know because you can’t write about what you don’t know.” He also suggested not to get all cutesy and rhyme my character names with people I know. That advice has served me well throughout the series, and I make sure that my final edit removes any obvious similarities to specific people that may have slipped in inadvertently.
As an extra precaution, none of my scenes are lifted from true life, they are all fiction — except
one. In book one, a colleague and I were force- fully thrown out of a client’s office and that story was lifted almost verbatim from real life. The ac- tual incident turned said client into a screaming howler monkey. It was like something out of a movie, absolutely ludicrous. Afterward, as my colleague and I took stock of ourselves, she burst into tears and I could not stop laughing. Once I started writing the book I was in search of come- dic incidents that were believable. As determined as I was to keep the whole book fiction, this story kept popping into my head. I couldn’t write it any funnier than how it actually happened – so I just told the story. I hadn’t seen that client in seven years so I took a chance. I felt my odds were pretty good.
After the book was released, I was standing in our local hip bookstore arranging for my first guest appearance. The woman who was schedul- ing me was summoned into the back room to take a phone call. As I stood at the counter await- ing her return I heard “Robin? Robin Donovan?” I looked to my left and there stood my screaming howler monkey former client looking as though she’d found a long-lost relative. Trying valiantly to hide my panic, I stammered a clipped and ter- rified greeting which earned a strange look from my former client before she shrugged and headed out the door — talk about dodging a bullet!
Robin Donovan started as a high-school English teacher, then worked in advertising. She lives in Nee- braska with her husband and thtree bulldogs.
I would have to say that I had five writing style influences, and try as I might, I cannot eliminate any of them.
Donna Leigh Mysteries
In my early years it was Cornelia Otis Skinner, Jane Austen and Charles Dickens. Their droll approach at humor never failed to amuse and entertain me. As dark as some of their topics were, their depictions of characters and how they behaved would often have me laughing out loud.
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By the time I reached high school, I had added James Thurber to the mix. The Night the Bed Fell on Grandpa felt as though it had happened in my life, and in fact, that type of event was not uncommon as I grew up. I frequently wrote letters and then emails to family and acquaintances using these four icons to help guide my style.
Sharing ideas
Humor was what kept our family together, and humor is in my veins. I guess writing humorous novels was inevitable.
As I prepared to write my first novel, Janet Evanovich joined the ranks of influences. The grace and ease with which she is able to move from serious issues to hilarious occurrences is something I wanted to emulate. I actually studied the components of her work to form a pattern for my own. Enough humor, but not so much that it destroys the balance of the plot.
I killed a woman in each of my first two books. They were intimate and personal murders and the details revealed themselves easily.
No women were killed in my third book, only men. I won’t mention the number (you know, spoiler alert), but suffice it to say that there has been nothing personal and/or intimate about how I have murdered men.
It’s not something I’d ever thought about before answering this question, but the facts are undeniable. I kill women more elegantly than I kill men.
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LaVista Author Talk
I’ve read about how men tend to murder in a more gruesome and personal way and women prefer a cleaner, poison-based crime. In examining my work, I would have to say that I’ve murdered women in a more gruesome, close up manner (none of which have not been graphically depicted because they are cozy mysteries) and the men in a more distant method with less explicit details that are abruptly glossed over.
Get a jump on your Christmas shopping!
Why that is remains unclear to me, although as I unpeel the onion the women have been murdered for bad behavior in personal relationships, that caught up with them. My men, on the other hand, have been murdered for acts far more public than personal. This leads me to believe that I am may not be comfortable addressing men’s private feelings and related actions, so I build a layer of separation between their feelings and the motives for their murders.
Perhaps, it’s merely because my third book is my first experience with murdering a friend. Could it be as simple as that? Murdering a friend was definitely more difficult than murdering those hateful, shrewish women. It was a genuine challenge to find the right balance between expressions of grief and sadness without completely killing the humor.
When I review the question about the difficulties of writing for the opposite sex I have more questions than answers. Who would have guessed that with all my focus on writing mysteries, I am the real mystery?
I usually write all day Saturday and Sunday when I’m working on a novel. I have a portable writing desk and I make myself comfortable on our sectional sofa surrounded by my ipad for thesaurus needs, coffee or diet soda and my three bulldogs and their various antics.
My favorite part of the day is when I can wind down a writing session with a glass of white wine. In the summer I take it out onto the deck and breath in all the beauties of the outdoors. In the winter, I get the fire going and watch nature through large windows and skylights. It’s almost as though my diligence during the day has earned me the right to relax and enjoy nature – and wine.
Sharing ideas
Much of my first novel was written on a ski trip to Utah. After a day of skiing, I would sit in front of a fourteen-foot high window in our rental house, drinking white wine, gazing at the mountains and waiting for deer to pass by. It was amazing how much work I was able to get done in an hour or two each afternoon.
Conversely, when editing, I sit rigidly at the desk in my home office and plow through chapter after chapter. Even those areas that require a fair amount of writing do not get me to budge from my dedicated station. And I don’t look out the windows located behind me,
While writing or editing, I constantly save my work. I save two copies to a flash drive and two copies to my desktop. Whenever I get up to go to the bathroom, take a phone call, grab a bite or get out of the way of a determined bulldog – I save my file four times, sometimes eight when I want to double check. Hmmm, I guess I’m quirkier than I thought.
Robin Leemann Donovan
I’ve always been a control freak, working hard to maintain a tight reign on as many aspects of my life as possible. When I started writing my first novel, I designed a process and built a timeline, allowing myself little leeway. As the writing progressed it became evident that I was not controlling the process, rather the process was controlling me.
I would often find myself at points in the plot where I didn’t know what would happen next, yet I kept writing. I would often look back and be surprised at what had been written, sometimes an event that didn’t exist a few minutes earlier, and sometimes a memory from deep within my brain that found its way out and onto the page. That is probably why writing novels is one of the most relaxing things I do. I let myself go and let my subconscious take over – and I love the freedom it gives me.
Editing is always critical, no matter what you write. Editing a humorous murder mystery is considerably more critical than a non-humorous fictional murder because you can easily lose the empathy of your reader if the humor goes too far or becomes too macabre. Even if the victim was a vile person, there is still a line over which the protagonist dare not step. On the other hand, if you’re not into cozy mysteries, becoming too macabre may be your goal. Long live Stephen King!
The humorous murder mystery has to maintain something of a pathos throughout, while highlighting humorous components whenever possible. And there had better be enough tasteful humorous components or you will lose your audience to boredom.
While my protagonist in Is It Still Murder Even If She Was A Bitch? can’t pretend to be sorry her horrible former colleague has been murdered, she does take the time to comment on her feelings of sadness for the widower and the now motherless child. In other parts of the story, through another character, we are informed that the clownishly large feet of the murdered woman were almost too big to fit in her coffin. Were these elements juxtaposed too closely and not timed perfectly, it might highlight the humor in a negative or cruel light, leaving a bad taste in the mouth of the reader.
That sounds like an extremely delicate balance – and it is. But hitting that sweet spot, that perfect balance of humor and compassion, can be so rewarding.
When I first started writing cozy mysteries, I took my cue for humor from the extremely successful Janet Evanovich. She typically employs about 6 different comedic incidents in every book. That’s harder than it sounds. Not to mention that a humorous undertone must work right alongside pathos when murder is involved, so the author must carefully interweave these elements with masterful timing.
The husband of Is It Still has to make a somber decision to give up the woman he loves, his mistress, as it is in the best interest of his young son after his wife’s tragic death. At the same time, said mistress is having a laughable public meltdown as she decides that the dead woman’s mother is responsible for her being dumped. With these scenes, I hope to elicit respect for a man who is able to make a difficult decision to sacrifice his own needs for those of his son, and conversely, amusement over a woman who takes a completely self-centered viewpoint of a tragic event that does not directly involve her. If my timing misses, this whole scenario is likely to fall flatter than a pancake. But if it works, I will succeed in taking your emotions way down and then back up all the way to laughter. That’s a very heady feeling for an author.
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Robin Leemann Donovan is the author of the blog, Menologues, a humorous yet informative look at the trials and tribulations of menopause by someone who’s been there. Menologues has been republished on two commercial sites: Vibrant Nation and Alltop, and has won regional honors for social media at the AMA Pinnacles and PRSA Paper Anvil awards. Her first book in the Donna Leigh Mystery series: Is It Still Murder Even If She Was A Bitch? won an AMA Pinnacle award. Her second book: I Didn’t Kill Her, But That May Have Been Shortsighted, was released in November, 2015. And her third book: I Don’t Know Why They Killed Him He Wasn’t Really That Annoying, came out early last year.
Donovan was born and raised in New Jersey but lived and worked in Connecticut for a number of years before moving to Nebraska in 1999. Starting her career as a high school English teacher, Donovan moved into advertising in the early 80’s and became a VP Media Director working on brands like Duracell, Stanley Tools, IBM, Visa and Merck Pharmaceutical. In 1999 she accepted a job offer from Bozell, an Omaha based ad agency. In late 2001, she and three colleagues purchased Bozell from its New York-based parent company, where she is currently the president.
She has served on the boards of the Omaha Children’s Museum, the Omaha YWCA, and she was chairman of the Alzheimer’s of the Midlands board for two years, serving a total of six years on the board. She is currently the membership director for Kick for the Cure, an organization that raises funds for breast cancer through soccer tournaments.
Donovan lives with her husband and three bulldogs; Roxi, Frank and Sadie (Sweet Pea).
Pulling the laces tight on his well-worn running shoes, he glanced out of the patio doors at the reddening sky. Another beautiful summer evening for a long training run. With a nod to his wife, who was curled up on the opposite couch engrossed in a trashy TV soap opera, he slipped out of the front door, closing it quietly behind him so as not to disturb their sleeping children. Nestling his earphones into place, he pressed play on his iPod and set off down the hill at a leisurely pace. No sense in heading off too fast too soon since he had his sights set on at least twelve miles. As the hill began to level off he had a choice – go straight through more houses or take the right fork down a narrow single track road. The sight of a group of kids playing football in the middle of the road ahead made the decision an easy one and he turned off to his right into the immediate shade of the overhanging trees and into a cloud of midgies.
In front of him an elderly woman was walking an equally elderly looking terrier. He regularly ran passed them on his evening training runs and knew the dog wouldn’t give him a second glance, unlike the dog at the house next to the church. It would dearly love to sink its teeth into his tattooed calf! The old woman gave him a smile and a nod as he loped passed her towards the cemetery. Surrounded by crumbling dry stone walls, the village’s crowded cemetery lay a few yards further down the road to his left. At the first sight of the walls, he picked up his pace. Something about that short stretch of road sent icy chills to his very core, despite the warmth of the summer evening.
On the aged stone steps opposite the graveyard, the fallen angel sat hidden by the long evening shadows. She had heard his footsteps the moment he turned down the narrow road and had slipped out from the cool sanctuary of the ruined mausoleum that lay forgotten far back in the trees, to watch for him. For weeks she had observed him as he ran up and down the hill. It was the rich metallic scent of his blood mingled with sweat that had first attracted her. Resisting was becoming more of a challenge each time he was within her range. Once she had followed him as he ran down through the village and along the coast road towards the next town. Soundlessly she had flown just above the tree line until his route had reached the lighthouse. With no trees to shelter her and the risk that the lighthouse’s lamp would expose her, she had reluctantly flown home, tasting his scent in air as she retraced her path.
Tonight the air was perfectly still, no wind to rustle the leaves, and his musk was strong. It had been three days since she had last fed and the mere sight of the ripe veins pulsing in his neck as he ran passed her was almost too much. Licking her lips, she slipped further back into the shadows, deciding to wait for his return journey. She was patient; she could wait….for now.
Two hours later in the last dusky light of the day, he turned off the main street to run back up the hill, safe in the knowledge that a hot shower and a clean bed were waiting at the top. His muscles were screaming at him as he dug deep into the last of his reserves and powered his way passed the church. Loud rock music filled his head, keeping his mind from lingering on the hot pain that had crept into his right foot. Another blister was not what he needed.
The turn off to the single track cemetery road was just up ahead. If he took it the route was shorter but steeper; if he took the longer route he had to make it safely passed that nippy dog. Short and steep won. He turned off and was level with the gates of the cemetery when he spotted the old woman’s little dog sitting at the side of the road. There was no sign of its mistress. He paused to rub its ears, glancing round trying to spot the old woman in the fading light. A rustling from behind the walls of the cemetery suggested to him, in his tired state, that she may be on the far side paying her respects to a long gone loved one. Without a backward glance he picked up his pace once more and headed home.
In the graveyard the angel stood up, spreading her magnificent black purple tinged wings out behind her. Carefully she dabbed at her mouth with her long pale fingers, removing the last traces of blood from her full red lips. She had resisted the temptation of him for now. At her feet lay the drained corpse of the old woman, eyes vacantly staring up into the night sky.
I live on the West Coast of Scotland and am married with two student age children and am the human slave of four cats. I still work full time for a retail bank as a manager and write in my spare time. It’s my escape and my “me time.”
I’ve been writing stories/poems for a long as I can remember but only sat down to attempt to write my first novel 5 years ago. I write my first drafts long hand then use typing them up as my first re-draft. My biggest fear as a writer is letting people read what I write so I started my blog at the tale end of 2013 to try to help me overcome that crippling fear. I set myself the challenge to post one “blog” a week for every week of 2014. I managed it and have been posting once a week ever since. I am still very nervous hitting “publish” on each blog though! I use my blog as a playground to try out short fiction pieces or to introduce characters that I am thinking of adding to my books. I’ve interviewed some of my characters to give insight into the books too. The blog is a good medium to connect with readers and give them an update on “book baby” progress.
Currently I am typing/editing/proofreading Book Baby 4 with the aim of publishing it in September. It is a standalone spin off from the Silver Lake seriesand features the band that appear as a “support act” for Silver Lake called After Life. I’ve also included a few cameo appearances from other characters in the Silver Lake series so my readers will meet a few “old friends” in the pages.
Silently Watching as a short fiction series has been ongoing for 4 years. I let my dark angel out to play a couple of times a year and hope to add another installment at the end of the summer. I try to tie them into Pagan festivals.
So apart from working full time, writing and blogging, I love my rock music and run two social media fanpages supporting Myles Kennedy from Alter Bridge. I also write a music blog on occasion covering gig reviews and album releases – The 525 to Glasgow. I use my own photos in my concert reviews and am a keen amateur photographer.
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Interested in having your work featured on this blog? Contact me.
Would you like the opportunity to receive advance review copies of my upcoming books? Or would you like to be the first to know when I’m about to publish a new book? What about getting a heads-up on giveaways and other freebies? Sign up for my email newsletter! I’ll only send out about once a month, so no need to worry about daily spam. Thanks in advance!
Writing Exercise #2: Come up with as many titles as you can. You don’t have to know the story behind them (although that can be a fun extension of this idea), but just find some phrases that you think would make great book titles.
Not Here, Not Now
Like Falling Asleep
You Said You Would
Let Me Down (I like the duality here of disappointment and physically being put down…could be interesting.)
Vibrations of Panic (Poem or band name? You decide.)
Parts of Speech
Balance
Tuesday, 10 a.m.
Never Born, Simply Was
Do No Harm
Dark Threads (I really like this one.)
Aren’t You Glad You Let Me Go?
You, Too
Work that creativity muscle!
I think another aspect of this exercise could be to list titles of current works by other authors that you absolutely love. These could be book titles, but also the titles of chapters, albums, or poems. The point is to find phrases that you love and see where your creativity goes from there. You may end up with a new story idea, or you may find something that will help out with a piece you’re working on.
What are your favorite titles? Let me know in the comments!
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Ashley O’Melia is an independent author and freelancer from Southern Illinois. She holds her Bachelor’s Degree in Creative Writing and English from Southern New Hampshire University. Her books include The Wanderer’s Guide to Dragon Keepingand The Graveside Detective. Her short stories have been published in The Penmen Review, Paradox, and Subcutaneous. Ashley’s freelance work has spanned numerous genres for clients around the world. You can find her on Facebook and Amazon.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author.
This book is a work of fiction. Names, characters, places and incidents are the products of the author’s extremely vivid, and at time disturbing, imagination or are used fictitiously. Any resemblance to actual events or locales or persons living or dead is entirely coincidental.
A Father
by Scono Sciuto
It is so close to the date, yet, your desire will not be denied. We make love, unbridled is our passion. To unimagined climax, we bring each other.
Behind closed lids, your beautiful eyes are now hidden. I lay next to you. My hand, upon the outline of our child. Eager to see the world, he presses against your belly. I kiss your cheek. My love, I proclaim. I am with my family.
We are not asleep long.
A contraction wakes you.
You feel a pop, then a trickle.
It is time. We rush to your house. When we are near, you phone your sister. Within the hour, she will be there.
I am like a kid on Christmas morning. I have never felt such joy. I have never been so happy. A life, one created by our love, will soon be here.
My breathing is rapid.
Our son is coming.
My heart races.
We near your home. Your contractions continue. Less than ten minutes after the last, arrives the next.
Your face turns sad. As you place the next call, you tell me you love me. My excitation dims. At his work, your husband’s phone rings.
Of paternity, he is unaware. I am the father. However, he remains, your husband. My joy is gone, in its place, despair.
It is he, who will witness the birth of my son.
It is he, who will hold him when our son breathes his first.
It is he, who will sit next to you, to share the advent of the life which we created.
I stop in front of your house. There is little time. You aren’t sure when next we will speak. I reassure you, all is fine. Before darting from the car, you tell me you love me and kiss me. As I pull away, the headlights of your sister’s car greet me.
To the hospital, I hurry. I observe you arrive, close behind, so does he. Blissfully blind to the truth, in he rushes.
I leave. For hours, I drive. I am not by your side. I am not there to hold your hand. I am not there to tell you to push. I am not there to wipe the sweat from your brow or tears from your cheek.
I don’t know how you are doing. I don’t know if you have yet given birth. I don’t know if our son has seen his first sight.
What I do know —
It is he, who our son will cry out for in the night.
It is he, who our son will consider his father.
It is he, who my son will call daddy.
Unexpected and unplanned, but not unwelcomed, was his conception. You attempted to leave, but each time you tried, unforeseen events prevented you. Tears fill my eyes.
I will never know my son.
It is that truth, which leads me to the revolver.
It is that truth, I mutter as I press the barrel to my head
It is that truth, I repeat over and over, as I cock the hammer.
It is that truth, the last words I speak, before the explosion echoes.
Ashley O’Melia is an independent author and freelancer from Southern Illinois. She holds her Bachelor’s Degree in Creative Writing and English from Southern New Hampshire University. Her books include The Wanderer’s Guide to Dragon Keeping and The Graveside Detective. Her short stories have been published in The Penmen Review, Paradox, and Subcutaneous. Ashley’s freelance work has spanned numerous genres for clients around the world. You can find her on Facebook and Amazon.
Interested in having your flash fiction or poetry featured here? Contact me.
Starting a freelance business (or thinking about it) and wondering where to find clients? I found myself in that same situation when I decided to make the leap from a “real” job and pursue freelancing full time. I’d already been doing it part time for a few years before that, and even though I felt confident in my writing skills I wasn’t sure just where the money was going to come from. Here are a few tips for finding clients for your freelance writing business:
Freelance Platforms: I’ve had my best luck on Upwork. I started when it was still eLance.com, before it merged with oDesk. While some freelancers don’t like the fact that a fee is taken out of their pay, consider this: Those fees keep you from getting ripped off. Your client must have the money to pay you put into escrow, so they can’t skip out on the bill. And if there are any disputes, they all go through Upwork. I haven’t used any other freelance platforms, so I can’t attest to how good or bad they might be, but I’m an Upwork fan all the way.
Local Businesses: This is a great place to look for clients, especially if you’re working on building your CV. (There will be another post on this topic later.) Call up local businesses and ask to speak to the manager or the office manager. What you can do for them will depend on your specialty, but they may need help with social media posts, blogs, or editing their pamphlets. It may take quite a few phone calls (or in-person visits) to get a business on board, but I can honestly tell you that I have one local client who has been using me steadily for four years.
Little Gigs. Take something small, even if it’s not exactly what you want. Yes, I have taken an $8 job on Upwork before. It might not have been worth the time I put into it, but it gave me work history on that platform when I badly needed it. That job let others know that I did good work, so it was worth it in the long run.
Work for Free. I have seen so many arguments about this on writing forums, and people seem to be on one side or the other. Some believe that you should never write a single word without getting paid, while others believe that doing work for free is where you build your chops. Sure, we all want money, but you’ve got to be able to prove you’re worth being paid! Ask your local charities if they need help with their monthly newsletters or creating flyers. Small businesses who don’t feel they can actually afford to hire a writer might be willing to work out a trade deal. Either way, you’re getting credits on your CV!
Be Flexible. If someone offers you a job that isn’t entirely in your wheelhouse, take it! (Of course, my advice doesn’t stand if the job is something you can’t do.) When I was offered my first ghostwriting job, I really didn’t know what I was doing. But guess what? Almost all of my freelance work is now ghostwriting. That first job helped me find something that actually worked out better for me than I ever could have imagined! So even if you’re a little scared, go for it!
Follow Up. When you’ve finished a job for a client, let them know you’re available for more work. Tell them you’d be happy to work with them again if anything comes up. If they’re happy with the job you’ve done, they’ll come find you again! Sometimes, they’ll also refer to you to others in the industry who could use your help.
Remember that freelancing basically means you are constantly selling your skills. Don’t be afraid to get out there and tell someone what you can do or even point out how you can benefit them. When putting in a proposal, be sure to include your CV and any clips that might be applicable. Good luck!
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Ashley O’Melia is an independent author and freelancer from Southern Illinois. She holds her Bachelor’s Degree in Creative Writing and English from Southern New Hampshire University. Her books include The Wanderer’s Guide to Dragon Keeping and The Graveside Detective. Her short stories have been published in The Penmen Review, Paradox, and Subcutaneous. Ashley’s freelance work has spanned numerous genres for clients around the world. You can find her on Facebook and Amazon.
I’ve been wanting a snake for quite some time, but I’d never gotten around to getting one. Honestly, what stopped me the most was the idea of feeding mice (ew.) But my husband got a corn snake last fall, so I’m getting a little more used to the idea. I mean, I already feed big ugly bugs to my bearded dragon, so why not?
This guy showed up on a sale group on Facebook. We talked about it as a semi-joke for about a week until I finally decided I wanted him.
He’s a banana California king snake, and my immediate nickname for him was Bob Dole. (Cause, you know, Dole…bananas…). But I’d like a permanent name for him, so I’m asking for your help! Mr. Dole is about 2.5 – 3 feet long and just over a year old.
Not a good pic since I hadn’t put a light on top of his tank yet, but here he is showing off his length and his beautiful markings.
I’d love to have something literary, Star Trek related, artsy, or vintage-y. I’m considering Lore and Mr. Rogers. Flood me with your suggestions!
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Ashley O’Melia is an independent author and freelancer from Southern Illinois. She holds her Bachelor’s Degree in Creative Writing and English from Southern New Hampshire University. Her books include The Wanderer’s Guide to Dragon Keeping and The Graveside Detective. Her short stories have been published in The Penmen Review, Paradox, and Subcutaneous. Ashley’s freelance work has spanned numerous genres for clients around the world. You can find her on Facebook and Amazon.
05
Tuesday
Dec 2017
Posted by fionamcvie1964 in Uncategorized ≈ 1 Comment Hello and welcome to my blog, Author Interviews. My name is Fiona Mcvie.
Let’s get you introduced to everyone, shall we? Tell us your name.
Robin Leemann Donovan
Fiona: Where are you from?
Originally New Jersey, moved to Connecticut at the age of 12 and relocated to Nebraska for a job at 42.
Fiona: A little about your self (ie, your education, family life, etc.).
Grew up as a Catholic in Teaneck, New Jersey. The town sign said “welcome to Teaneck, an up and coming Jewish community.” So I had the benefit of a wonderful, and somewhat experimental education, and I used more Yiddish words than anyone I’ve met since moving to Connecticut and subsequently Nebraska. Teaneck was diversity at it’s best. Moving to a small town in northern Connecticut introduced me to a surprising lack of diversity. It was like getting all four wheels stuck in the mud, but I hung around to see Connecticut evolve into a far more diverse collection of communities. I graduated from UConn and started teaching English. Within three years I was working at an ad agency and wondering how I had survived the stifling world of faculty life.
My parents embraced a “joy of life” philosophy. Eshewing the more noble pursuits, in their world life was something to enjoy, and they were extremely social people, i.e. our house was party central. My parents went to dinners and plays and jazz clubs, and we were always throwing parties. I learned to make Bloody Marys at the age of 11. It was a specialty very much in demand until today’s mixes made my role redundant. They believed in giving back – but they also believed if you weren’t having fun you weren’t doing it right.
Somehow I married a man whose parents believed if you were having fun you weren’t doing it right. It was a bit of culture shock for a while – but ultimately we’re still all about having fun. Luckily, it wasn’t that difficult to bring him over to the dark side.
Fiona: Tell us your latest news.
I just found out that an independent bookstore has sold significantly more copies of my first book than I realized. That was a lovely surprise – they called me a Rockstar!
Fiona: When and why did you begin writing?
I spent an inordinate amount of time writing creative class assignments growing up. Aside from writing business communication plans, I first started writing when my business partner charged me with starting a blog on menopause. I didn’t love the idea of being the poster child for maturing women, but she made a compelling case. Women, even very smart women, were in such denial about aging that they virtually all entered menopause totally unprepared. Their doctors were not much help. These women were making critically important, life altering decisions based on little or no information. My partner pointed out that I could take the most complicated issues related to menopause and articulate them in a way that was funny and fun to read. Thus was born, Menologues. Which I wrote for about 4 years. Menologues won a few awards and was republished on Vibrant Nation and Alltop. One reader who was sent to the site by a friend I hadn’t seen since high school actually said that it saved her life. And I believe she meant it. Even now I get a discount from my HRT doctor for being a menopause blogger.
Fiona: When did you first consider yourself a writer?
When I started to get positive response to my Menologues blog. It was like catnip.
Fiona: What inspired you to write your first book?
Years ago I went to a psychic. He asked me if I had any questions, and then said “before you ask me anything I have two things to say to you.” One of them was “you know that book you keep saying you’ll write when you have time, well write it.” Holy crap – he nailed it. Even then I didn’t start. One day I woke up and realized: you own an ad agency that can promote books, you write a blog for menopausal women so there’s a bit of a built in audience and you just got a publisher as a client – this is the perfect storm so its now or never. At first I talked to my publisher/client about the horrors my partner and I had experienced as we battled a holding company and potential competitors in buying the ad agency. I had begun the painful process of writing about that incredibly difficult time. I mentioned that I was concerned about getting sued for my honest assessment of the insanity that had occurred during that process. He responded that people behaving badly was probably not much to worry about. Having lived through that extreme crazy, I couldn’t let that concern go quite so easily,and he agreed to have his attorney review my brief but pain filled manuscript. A week later he was back in the office sharing the verdict. “My attorney wants to know, are many of these people dead yet?” With that creative avenue so clearly blocked, he suggested that I write about ‘my passion’ and send it to him. 21 months later Is It Still Murder Even If SheWas A Bitch? was published.
Fiona: How did you come up with the title?
I was convinced it would be a series and I would need a clever series title, you know, like A is for Alibi – but I just couldn’t come up with anything clever enough. I kept referring to it as “Claire’s murder.” When I was nearly finished with the first draft I shared my frustration with my business partner. She said “don’t put so much pressure on yourself, just pick a title for this book.” On a whim, I jokingly typed in Is It Still Murder Even If She Was A Bitch? I was sure the publisher would never agree to it. At about that same time I was interviewing Creative Directors. Every candidate made it a point to ask me some things about myself. Naturally, I told them my latest project was writing a murder mystery. Each time I mentioned the title I got a huge belly laugh – and it seemed genuine. I had been interviewing some incredibly talented writers and when they all had the same reaction – I wasn’t going to let anyone change that title. And I have been banned from some book selling venues because of the word “bitch.” When the farmer’s market banned me because “we are a family oriented organization” I asked why it was okay that I had to drive by three erectile dysfuntion billboards on my way to their market. They were not amused.
Fiona: Do you have a specific writing style? Is there anything about your style or genre that you find particularly challenging?
It’s a lot about self-depricating humor and it’s written in the first person. I’ve had a few publishers express an interest in picking up the series after I parted ways with the publishing house that bought out my original, wonderful publisher– as long as I would agree to make it third person. No, third person does not work with my style of humor – not at all. I found it interesting that their reasoning was that “first person implies self-publishing.” And ironically, since my original publisher was sold and I chose not to have the new company publish my second book (they made it very clear that they wanted the entire series – all or nothing) – I am now self-published. That’s something I could never have accomplished without the education I received through the publishing of that first book. I have since occasionally met with budding authors to share the expertise I was fortunate enough to have gained through that first publishing experience. A little information goes a long way and I am eager to pay it back if it helps others.
Fiona: How much of the book is realistic and are experiences based on someone you know, or events in your own life?
Well, naturally all people and events are fiction, blah, blah, blah. But between you and I, there is one incident in book one that actually happened just as I describe. The one about a client who threw Donna Leigh and the murder victim out of her office. Seven years after writing that scene I was standing in a bookstore waiting to discuss the details of my upcoming book signing when I heard an oddly familiar voice. “Robin? Robin Donovan?” I turned to see that very client greeting me as though we’d been to lunch just the week before. I must have sounded slightly deranged as I stumbled and bumbled a speedy greeting in the hopes she would finish her business and get out before realizing I’d written a book, and further that her portrayal in that book was not even remotely flattering.
Book two features a great deal of actual personal experiences as part of the history of Donna Leigh and the murder victim, and book three is a complete fabrication. I guess I had some things to vent as I was penning that second book.
Fiona: To craft your works, do you have to travel? Before or during the process?
I have not had to travel yet, however, my second book takes place in Omaha and Donna Leigh travels back to revisit her earlier life in Connecticut in order to explore the victim’s recent past.
Fiona: Who designed the covers?
I am extremely fortunate to own an ad agency, Bozell. We have some incredibly talented art directors and designers and they have graciously designed everything connected to my book brand.
Fiona: Is there a message in your novel that you want readers to grasp?
It didn’t start out that way. I was just writing away and not really stopping to think. But then, with my first book, I realized a common theme was that an overweight woman can still be the most appealing woman in the room (very subjective) but that the choices she makes in clothing, hair, make-up and personality can make her more attractive than a fashion model. Another clear message is: you have to work in order to earn your rewards.
In all of my books there is a message that: people will think what they want. And this is illustrated by the fact that my protagonist, Donna Leigh, does not actually solve any of these murders. She is merely involved. But, as a result, everyone credits her with solving each case. She never fails to remind them of the truth when it comes up – but she might as well save her breath. I think my final message is: crazy people are going to act crazy and to try and apply logic to their behavior will just make you crazy.
Fiona: Are there any new authors that have grasped your interest? Who is your favorite writer, and what is it about their work that really strikes you?
My favorites are Charles Dickens and Jane Austin. I think they are remarkable humorists that stand the test of time. I do also love Janet Evanovich. She can stretch credulity to an absolute breaking point – enough to make you howl with laughter. I do like other things – but laughter always comes out on top. I have been a reader of Patricia Cornwell, but if she keeps ripping the faces off of people I’m going to have to give her up for good!
Fiona: Outside of family members, name one entity that supported your commitment to become a published author.
The library system in Nebraska has been an invaluable support, as have the independent bookstores. My original publisher, WriteLife and my publisher Cindy Grady were amazing. Unfortunately, they were bought by another publishing company and the whole culture of the company shifted in a way that did not meet my needs.
Fiona: Do you see writing as a career?
I would love for writing to be my career. If I can figure out a way to actually make significant money – it will be my career.
Fiona: If you had to do it all over again, would you change anything in your latest book?
Nothing. I wrote the first half of my third book and then set it aside for edits and proofing on book two. When I went back and reread it I hated pretty much everything about it. I made up my mind to edit heavily and try to get it to a point where I would either like it or let it go. I got it to a point where I LOVED it – and the rest of it fell into place like magic.
Fiona: Did you learn anything during the writing of your recent book?
I learned quite a bit. I learned how a wine salesperson could cheat their winery and make a ton of extra cash for themselves. I learned how difficult it is to kill a friend and maintain the humor instead of getting really sappy without coming across as heartless. That was a tough one. It’s definitely much easier to kill someone you can’t stand.
Fiona: If your book was made into a film, who would you like to play the lead?
I think Bette Midler would be my first choice. She shares my comedic timing and sense of whimsy and curves. But I also think Meryl Streep, Christine Baransky or Goldie Hawn could hold their own in the role if Bette’s not available. I just hate to get their hopes up.
Fiona: Any advice for other writers?
See yourself as an artist and let the writing flow. There are others who can help you edit and refine after you have allowed your inspiration to take hold of you and flow freely.
Fiona: Anything specific you want to tell your readers?
I created a menopausal protagonist because prior to this series female detectives were either in their dotage or young, hot and gorgeous. I wanted to create a middle aged protagonist who is smart, but flawed. She’s attractive but not Victioria Secret attractive. In essence, someone who is more relatable than most amateur detectives. I created the character of Clovis Cordoba Seville as a filler, and she has evolved into Donna Leigh’s alter ego. Clovis is constantly criticizing Donna, pointing out all of her weaknesses as well as making numerous complaints that are nothing more than projections of Clovis’ own peculiarities.
Fiona: What book are you reading now?
A friend and consultant of mine, Lori Stohs, just published her first book. Get Your Mind on Your People. Lori is amazingly intuitive and I always learn from her.
Fiona: Do you remember the first book you read?
Dick, Jane and Sally. And I think they’re still running. My first sophisticated book was Pride and Prejudice. I took a run at it in 5th grade, and had a great deal of difficulty. But I carried that book around with me for weeks. I was a school patrol back then and one day I was holding Pride and Prejudice as well as the outer door to the side entrance of the school. A very tall, very distinguished gentleman in a long wool coat, a fedora (that dates me) and a briefcase walked up the four steps to the landing I was guarding. He saw my book and registered surprise, such a difficult book for someone so young, he was clearly impressed. I responded demurely and he stepped through the doorframe on his way up the next flight of stairs. Halfway up the stairwell he decided to bestow an additional glowing compliment on my praise- hungry young self. When he turned to face me his briefcase became caught between his legs. He did a little leap and sprawled in a heap halfway up the staircase. He crawled the rest of the way up the stairs with a face as red as a freshly boiled lobster. Books and humor have always had a place in my life.
Fiona: What makes you laugh/cry?
Falling. Once I realize the person is alright I pretty much lose it. I have a penchant for low humor, but I also love dry humor and black humor as long as it doesn’t scare me. I don’t like to get too sophomoric, but it depends a bit on my mood.
Fiona: Is there one person, past or present, you would love to meet? Why?
Bette Midler. To prepare her to star in my movie (let’s face it – I have about as much chance of meeting Bette as I have of getting a movie).
Fiona: Do you have any hobbies?
Bulldogs (English, Olde English and French), skiing, dancing, reading, food (eating not cooking) and wine.
Fiona: What TV shows/films do you enjoy watching?
It’s all about humor. I love Without A Clue, and when I’m getting ready to embark on a DIY project I rewatch The Money Pit. I do enjoy some serious shows, Death in Paradise, Father Brown, Bones and I’m kind of hooked on HGTV.
Fiona: Favorite foods, colors, music?
Escargot, gnocci Bolognese, loads of fruit and vegetables, there are so many favorite foods. Slate blue, navy blue, minty green, plum, steel gray are colors I find most appealing – and I dress in black a lot. Fleetwood Mac, Earth Wind &Fire, Yes, Jethro Tull, Aerosmith, The Beatles, Nickelback, Stevie Wonder, Stevie Ray Vaughn, Vivaldi, I love a large range of music though my interest rarely wanders into Country Western territory.
Fiona: Imagine a future where you no longer write. What would you do?
Be confused and frustrated, maybe explode. Probably explode.
Fiona: What do you want written on your head stone?
Just know she’s waiting for you if you didn’t give her a good review.
Fiona: Do you have a blog or website readers can visit for updates, events and special offers?
www.rldonovan.com but I must admit, I’m not keeping it as up to date as I’d like.
Books (Can all be found under Donna Leigh Mysteries on Amazon):
A quick light fun read. Well written, with a host of unlikely sleuth characters (mainly women) who get themselves into very awkward situations but who somehow manage to get to the bottom of it all. To be enjoyed sitting back with a nice glass of wine.
This past Sunday was my second Council Bluffs Library Author Fair, and it was even better than the first. Although it’s set up as a sleepy little surprise for local library patrons, it has a whole other set of surprises for some of the attending authors.
Sure, it’s always nice to sell a few books, but Sunday’s Fair also enabled me to meet and reconnect with other local authors. It enabled me to meet some aspiring authors that might be looking for a little bit of mentoring to get through some of those new author/not completely edited jitters, and possibly best of all, it enabled me to meet some of my readers – that was awesome!
In this entire book writing/publishing experience, I guess it just never occurred to me that there would ever be strangers coming up to me to enthusiastically tell me that they’d read my book and/or heard me speak. If felt really good!