November 11th, 2014 → 7:44 pm
@ Robin Donovan
Check out cayocost72’s review at this link:
Is it Still Murder Even if She Was a Bitch? by Robin Leeman Donovan. Published by WriteLife
or just read it below:
Is it Still Murder Even if She Was a Bitch? by Robin Leeman Donovan. Published by WriteLife
When one of Donna Leigh’s ad agency employees is killed, she decides to become her own investigator. Because she like the deceased so much? Hardly. Donna hated the old bag, but she figures the cops will be knocking on her door, ready to pin the murder on her if she doesn’t find the real guilty party. What follows are Donna and her friends somewhat less than successful attempts at investigating the murder.
Just plain funny. I love love Donna’s caustic wit
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January 21st, 2014 → 9:27 pm
@ Robin Donovan
I feel very fortunate. Being in the ad business I have access to many very talented artists. When it came time to design my book cover, my designer strongly recommended commissioning a photograph by the incredibly talented Scott Drickey. Scott read the book, asked a few questions and then came up with a cover photo that offered mystery and intrigue. It created a visual tension befitting a suspense-filled story about murder, yet it maintained a whimsical posture which enabled it to pave the way for the comedic nature of the book.
And Scott managed to convey all of these things within an extremely sophisticated framework.
It fit the book to perfection!
So many of my cozy mystery colleagues select covers that are exaggerated and cartoonish in nature. I’m not sure how that trend came about – but I knew right from the start that it did not fit my work.
I relied very heavily on my designer, Jill Rizzo, to find a “look” that would convey my brand accurately, and with the help and talent of Scott Drickey – my expectations were far exceeded!
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October 8th, 2013 → 9:56 pm
@ Robin Donovan
I was so excited yesterday when I received an email out of the blue from Janet at the University of Arkansas Dean’s office in Ft. Smith, Arkansas! Janet had written to tell me that her book club had selected my book for their next meeting!
I think that may be the furthest book club to have chosen my book to date. But if you know of one further away – please let me know!
And thanks for all the great support!
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May 22nd, 2013 → 7:24 pm
@ Robin Donovan
My first book was edited by five people. Not everyone has that luxury. I think it’s a luxury because you get to see your work through different eyes – and you get to make the final call by reviewing the options and choosing the ones that make the most sense for your plot and characters.
I can honestly say that all five of my editors contributed something meaningful to the final published work. Some of the editing was tedious, but I found the overall process invigorating and frequently enjoyable. It was extremely helpful to have them point out areas that warranted a second look. I would review the section in question to determine whether or not it would pass muster with a broader audience; in some cases a reference was too obscure or a joke too lame. I’m not sure I would have caught those weaknesses on my own.
My second book is not going as smoothly. So far I’ve had three editors, and they all seem to get caught up in their own lack of knowledge of my genre. They’re not contributing anything meaningful. It’s frustrating and it feels as though this book will never get out. I write comedic murder mysteries. They’re so hung up on making comments like “why would that character tell her so much when she’s not even a real detective?” Oh for god sake – get over it! Have you never read Agatha’s Christie’s famous Miss Marple? Did you never watch Jessica Fletcher solve every mystery on Murder, She Wrote?
Even under the best of circumstances editors can get under your skin. But a good editor is worth their weight in gold. Aside from the outlay of cash, the biggest potential risk to self-publishing is not making the effort to get good editors reviewing your work. I was convinced my manuscript was perfect on the first day it was submitted – it became so much better over the 18 month editing and proofing process.
Even though in hindsight I am so grateful for the editors of that first book, they still managed to frustrate the hell out of me. I think I shortened and lengthened the same sentences three or four times, and I know I moved commas out, over and back into the same places. Some of their comments were stupid and dated – but I knew enough to ignore those – albeit not without angst and bugging my publisher for permission. I think I was high maintenance!
As I look back on the experience of my first book – I would not trade the value my editors brought to the project even if I never had to move a comma. And even though my second book has not yet met with a successful editing experience, I still cannot emphasize the importance of good editors – now I just have to find some!
Donovan heads Bozell Books, a division of Bozell designed to help authors and budding authors from inception through promotion of their published work. She has authored a novel entitled: Is It Still Murder Even If She Was a Bitch? www.rldonovan.com, and the second in her Donna Leigh Mysteries series : I Didn’t Kill Her But That May Have Been Short Sighted, is currently being published.
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March 12th, 2013 → 3:56 pm
@ Robin Donovan
Check out this morning’s interview with Kori Miller on Back Porch Writer on Blog Post Radio:
http://www.blogtalkradio.com/backporchwriter/2013/03/12/writing-a-mystery-with-robin-donovan
A huge thanks to Kori for her awesome interview!
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January 28th, 2013 → 9:55 pm
@ Robin Donovan
We’ve already addressed three of the four basic categories that new authors tend to fall into: the I have an idea I’d like to share with the world group, typically consisting of business advice – an idea, the I have a story to tell group, often about overcoming adversity, and/or self-help advice and the I want to write a book and give my business, or personal brand, a boost folks. We’ve given these author-types some advice on the best way to get things started.
Let the creative juices flow!
That leaves our fourth and final category, consisting of the I love to write and I’m pretty good so I should probably write a book folks. For them the subject of the book is often secondary to their desire or even need to express themselves in writing.
At the risk of seeming immodest, that’s where I place myself. As an English major and a former English teacher, I have always wanted to write a book and I’ve never been shy about sharing that fact. When I finally got around to actually writing a manuscript there were those who asked “why did you wait so long?” And the answer is simple. I envisioned pouring my heart into my life’s work and spending the next decade receiving one rejection after another from heartless publishers who would ignore and overlook my brilliance, thus shredding my very soul.
Getting to know a publisher gave me the courage to take a shot. Once I’d made the decision to finally write the damn thing – I hadn’t a clue of what to write. A chat with this publisher helped to get me focused.
“What do you love?” he asked.
“I love comedy.”
“Then write your comedy and show it to me,” he suggested.
That was it. Next challenge – decide what funny things to write about. As a lifelong aficionado of murder mysteries – both serious and comedic – the old adage “write what you know” seemed applicable.
Once my genre was set I sat down to write. The first three chapters virtually wrote themselves. I packaged these up and sent them to my “publisher acquaintance” to await his verdict.
A few weeks later confirmation arrived. My chapters were of enough interest to warrant finishing the book. It was a bittersweet moment that juxtaposed the thrill of having a publisher’s interest and the terror of being clueless as to how to write a whole book.
For me, the next step was to continue writing while simultaneously creating a writing process. There are some who would say my journey appears to have been backwards. But it’s what worked for me.
Here are a few pointers for those of you raring to go:
- The writing is so much fun! If it’s not, maybe you have the wrong topic (obviously if you’re writing about a somber subject it won’t be a laugh riot – but it should “feel good”).
- You need some kind of a process. Everyone asked me if I had an outline – I never did. I found that the writing just took its own twists and turns. What I did need, however, was a process to determine:
- How long before I start to write the ending: I decided to split the book into quarters – and not start writing the ending until the fourth quarter – that was an enormous help.
- How many pages does it need to be: I did some checking on several books in the genre – and they were books that I enjoyed so I knew that the length did not prove to be an obstacle in the enjoyment of the work.
- How to determine how many instances of physical comedy should be included: Again, research other authors in the genre – try to focus on books you thought worked well and see how many individual times they used physical comedy.
- How to remember details so I could tie up loose ends: I kept a notebook with notes on every chapter. I chronicled when every character was introduced and when every plot turn occurred – it’s impossible to remember every detail – notes are a godsend. I also took notes on every character’s name – you’d be surprised how you can forget a character’s last name – or how you spelled their name.
- In my case, folks always ask me if I knew who the murderer was in the beginning. The answer is “no.” At times I thought I knew, but as things progress I changed my mind – several times. Letting the prose take you where it does is known as creativity – don’t try to jam your creativity into a pre-determined outline!
- Let the editors do their work! If you are self-published, make it your business to find some great editors and ask them to be ruthless. If you publish traditionally or collaboratively your publisher will take care of that for you. Remember, a suggested change by an editor is not a failure of your manuscript – if you let the creative juices flow there are bound to be mistakes or awkward areas. A great editor will honestly improve the quality of your end product – we don’t always see the flaws in our own creation – nor do friends and relatives!
- If all else fails, just write and see where it takes you! You can always turn it into a book later. The whole key to your success is to let yourself go! After that, process and editing (not to mention proofing) will clean things up and make you ready for “prime time!
Donovan heads Bozell Books, a division of Bozell designed to help authors and budding authors from inception through promotion of their published work. She has authored a novel entitled: Is It Still Murder Even If She Was a Bitch? www.rldonovan.com, and the second in her Donna Leigh Mysteries series is currently being published. Her next installment of FAQs on Authoring a Book will address the prospective author with confidence in their ability to write and how it impacts their process of “Getting Started.”
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December 20th, 2012 → 8:44 pm
@ Robin Donovan
First Novel
The origin of Bozell Books and Managing New Author Expectations:
The Bozell Books division was started as a direct result of my own personal need. I had just published my first book: Is It Still Murder Even If She Was A Bitch?, and I hadn’t a clue as to how to promote it. www.rldonovan.com.
I learned through glimpses of more experienced authors that promoting a book in this day and age takes an Herculean effort. I hasten to add that it has been something I’ve wanted to do for as long as I can remember – and it has absolutely been one of the most rewarding experiences of my life! I wouldn’t trade it for anything!
Promoting a book seemed so easy based on all the movies and TV shows depicting authors and their exciting careers. From my vantage point things looked dramatically different. In the movies and in TV, once your book is published you just sit back and let the world gather at your feet. Your publisher sets up reading/signing/speaking engagements and provides a stretch limo (complete with chilled champagne) to convey you from one glamorous event to the next.
Reality bore little resemblance to the glamour of fiction as the promotion of my book began. I felt extremely fortunate to have worked closely with an established author of Harlequin Romance novels before undertaking my own career as a novelist. At last count she has written and published 17 books and her painstaking experience in trying to promote them has helped to manage my own expectations.
I find that the most difficult part of helping a budding author is in trying to manage their expectations. There is at least a little part of all of us (myself included) that thinks “that’s you, but my work will be received differently.” It can happen, but it’s pretty rare.
The most difficult part of managing new author expectations is in getting the point across without going so far that it kills motivation. It’s a finely balanced art.
As challenging as it is to promote a book, the thrill of getting out into the public and sharing your work with new audiences is a rush like no other. A relative recently asked me in a somewhat sardonic tone “so, do you get the star treatment?” The first thought that flitted through my head was the backbreaking amount of work I was doing to promote the book; but my second thought took me right to that place where I’m in front of an audience comprised of folks that want to know any number of things about me and my book. “Yes,” I answered in all honesty, “there are times when I really do.”
Donovan heads Bozell Books, a division of Bozell designed to help authors and budding authors from inception through promotion of their published work. Her next installment of FAQs on Authoring a Book will address the age old challenge of “Getting Started.”
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December 5th, 2011 → 11:20 pm
@ Robin Donovan
That’s probably the most frequent single question that people ask. So many of us are poised to write, but hesitate because of the uncertainty of being stuck with a manuscript that no one will publish. The true diehards just go ahead and write. If they get published – great – but what happens when/if they don’t?
I can’t pretend to be one of those brave souls. I talked about writing a book for years, and none of the options appealed to me at all. I could invest all of the time, energy and passion it would take to create my masterpiece, and then spend a lot more time, energy and passion – not to mention money – in shopping it around and trying to get it published. I would bravely struggle to keep my hopes up as rejection after rejection flooded my mailbox and broke my resolve.
From what I’m told, shopping your manuscript around for an agent isn’t really much better. And, if you do find an agent to represent you there’s still no guarantee that they’ll be able to interest a publisher. I have known authors who were elated at finally finding that elusive agent – only to realize a year or two later that they are not infallible – even if they’re sure your book will be easy to sell!
Then, if you do manage to get your book published, will your publisher realize all of the financial benefits of your endeavor? I have also seen authors who earned pennies per book and could barely feed themselves after publishing more than a dozen novels.
Then there’s always self-publishing. You spend your money to back yourself and then hope there’s some change left to get out there and promote yourself. Experienced authors have cautioned that the uninitiated end up with a raw unedited piece that does not present itself, or you, in the best light.
Personally, I feel very fortunate that I stumbled upon a publisher who was willing to spend the time evaluating an unknown such as myself. My publisher took the time to help me polish my creation until it was ready for prime time; and the final product was something that could make us both proud.
My publisher has been my partner and my cheerleader, not trying to greedily reap all of the profit if profit is to be made. Everybody should have the benefit of a publisher like mine.
Let me know if you’d like to meet my publisher. I am confident they will be willing to review your work and give you an honest assessment. If they decide to take your manuscript on you will learn an enormous amount and benefit from their knowledge and connections.
Why am I making this offer? I’m too new to worry about being completely inundated with everyone trying to get to me – maybe someday. I, myself, have wondered if I would ever get the chance to share my musings with the world – and now I know that it feels incredible. If it’s what you want, you should have a fair shot at it too. And no, I’m not getting any kickbacks.
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