January 2nd, 2019 → 5:30 pm @ Robin Donovan
When I first decided to write a book, I selected a painful topic, the story of how three colleagues and I bought an ad agency back from a major international holding company. It was a fascinating time. We were assaulted by all around us, the executives selling the company, the other potential buyers, the colleagues who opted not to be involved in the purchase and the staff who desperately wanted details we were not legally permitted to share.
I didn’t get very far in writing this book for two reasons, a nagging fear that I would get sued by one or more of these miscreants, and the fact that every sentence was painful to write – it was not a joyful time.
When I asked my future publisher if he thought I would get sued, he said probably not, but he agreed to show his attorney. About a week later he came to me with a question “My attorney wants to know, are many of these people dead yet?” Answer “Not enough!”
That publisher suggested I backburner the book, but he also asked me what was my passion. I told him comedy. He suggested I write my comedy and send it to him. In a blink, I had the first three chapters of Is It Still Murder Even If She Was A Bitch? I forwarded it to him for an opinion, and the rest is history.
What took me completely by surprise was how much fun I had writing. After my first attempt at what would undoubtedly have been a drama I expected to be suffering and hating every session with my reward being the final result, assuming I made it to the finish line.
What I found instead was that the writing itself was a sheer delight. I would wake up on a Saturday and start writing at 8 a.m., working practically non-stop through the evening cocktail hour. Then I’d wake up Sunday and do the same all over again. I couldn’t wait for my fingers to hit the keyboard. And when the manuscript came back after each edit, I swore at one or two irritating comments and then I got down to business and happily wrote again. I loved comments like “you’re in a restaurant but I don’t know what it looks like,” because that gave me license to write some more. It was not only fun, it was improving my masterpiece.
After the pain of that first failed attempt I never expected that the writing could possibly be this much fun. Now, if I should ever get the guts to go back and finish that first book, I think it would make one hell of an action-packed movie.
December 17th, 2018 → 4:16 pm @ Robin Donovan
I killed a woman in each of my first two books. They were intimate and personal murders and the details revealed themselves easily.
No women were killed in my third book, only men. I won’t mention the number (you know, spoiler alert), but suffice it to say that there has been nothing personal and/or intimate about how I have murdered men.
It’s not something I’d ever thought about before answering this question, but the facts are undeniable. I kill women more elegantly than I kill men.
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I’ve read about how men tend to murder in a more gruesome and personal way and women prefer a cleaner, poison-based crime. In examining my work, I would have to say that I’ve murdered women in a more gruesome, close up manner (none of which have not been graphically depicted because they are cozy mysteries) and the men in a more distant method with less explicit details that are abruptly glossed over.
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Why that is remains unclear to me, although as I unpeel the onion the women have been murdered for bad behavior in personal relationships, that caught up with them. My men, on the other hand, have been murdered for acts far more public than personal. This leads me to believe that I am may not be comfortable addressing men’s private feelings and related actions, so I build a layer of separation between their feelings and the motives for their murders.
Perhaps, it’s merely because my third book is my first experience with murdering a friend. Could it be as simple as that? Murdering a friend was definitely more difficult than murdering those hateful, shrewish women. It was a genuine challenge to find the right balance between expressions of grief and sadness without completely killing the humor.
When I review the question about the difficulties of writing for the opposite sex I have more questions than answers. Who would have guessed that with all my focus on writing mysteries, I am the real mystery?
December 10th, 2018 → 10:33 pm @ Robin Donovan
I usually write all day Saturday and Sunday when I’m working on a novel. I have a portable writing desk and I make myself comfortable on our sectional sofa surrounded by my ipad for thesaurus needs, coffee or diet soda and my three bulldogs and their various antics.
My favorite part of the day is when I can wind down a writing session with a glass of white wine. In the summer I take it out onto the deck and breath in all the beauties of the outdoors. In the winter, I get the fire going and watch nature through large windows and skylights. It’s almost as though my diligence during the day has earned me the right to relax and enjoy nature – and wine.
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Much of my first novel was written on a ski trip to Utah. After a day of skiing, I would sit in front of a fourteen-foot high window in our rental house, drinking white wine, gazing at the mountains and waiting for deer to pass by. It was amazing how much work I was able to get done in an hour or two each afternoon.
Conversely, when editing, I sit rigidly at the desk in my home office and plow through chapter after chapter. Even those areas that require a fair amount of writing do not get me to budge from my dedicated station. And I don’t look out the windows located behind me,
While writing or editing, I constantly save my work. I save two copies to a flash drive and two copies to my desktop. Whenever I get up to go to the bathroom, take a phone call, grab a bite or get out of the way of a determined bulldog – I save my file four times, sometimes eight when I want to double check. Hmmm, I guess I’m quirkier than I thought.
December 5th, 2018 → 8:54 pm @ Robin Donovan
My Donna Leigh Mystery series revolves around a menopausal ad agency owner in Omaha, Nebraska. Although each book encompasses the murder of someone known to the protagonist, the books are actually comedies. With three books in the series, the challenges have been in finding credible enough yet over-the-top comedic events, without an over-abundance of similarity, and in keeping the plot fresh enough overall that the books don’t start to feel formulaic.
Evanovich’s protagonist, Stephanie Plum, pretty much always sets a car on fire, it’s her signature comedic move. Perhaps I should have set a precedent like that, because creating new and outrageous scenarios is increasingly a challenge.
Each book requires approximately six comedic events to keep things moving at a fast pace. I realized this would be a daunting task as early as my second book, and the third book was that much more intimidating.
Along those same lines, it is a genuine challenge to keep my plots from becoming formulaic. The same characters want to say and do the same things. It is imperative to find ways to pull them out of their comfort zone without pulling them out of character.
Folks have suggested that I move on from Donna Leigh and start a whole new series, but my gut is telling me to stick with her for at least another book or two. And if I’ve learned one thing in this whole experience, it’s to trust my gut.
November 7th, 2018 → 4:44 pm @ Robin Donovan
My primary goal has always been to entertain my readers and make them laugh, while also making them think. To give them an escape from the troubles in their lives. Based on feedback (and not just from my mother), I am grateful that I seem to be on track with that goal. There is no better feeling than when a reader is genuinely effusive about my work.
When I read this Roundup question, it got me thinking about my goals beyond the readers’ reaction and I realized it’s a very basic goal. I want to enjoy the writing experience even more.
That’s not as simple as it sounds.
I enjoy writing cozy murder mysteries and I enjoy doing the speaking and signing engagements, hell, I even enjoy editing, but all these components can interconnect in a way that makes writing either a joy or an exercise in self-debasement or both – kind of like a seesaw.
To start with I enjoy the writing, but feeling pressure to hurry up can bring that enjoyment to a screeching halt. Once the book is released there’s a huge amount of work to gain any level of awareness. I actually enjoy guest blogging and interviewing, I genuinely enjoy public speaking. But if you’ve ever done an author event to an audience of two, even considering there are torrential rains outside, you know how demoralizing that can be.
Although many of us don’t get into writing for the money (a lot of you are laughing out loud right now) it is nice to actually see some return on your investment. There was a time when I referred to my writing as a “very costly hobby.” Although I still don’t rely on my writing as my livelihood, there’s no denying that monetary gain is a measure of success, and when you’ve poured your guts out to create your masterpiece, any measure of success is a plus.
One day euphoric success, the next day humbling disappointment, and repeat. My great grandmother had a saying that seems to fit “what never makes you laugh will never make you cry.”
My goal would be to see the scales a bit more heavily weighted toward the laughing.
October 29th, 2018 → 8:51 pm @ Robin Donovan
As a child I was an avid reader and writer of letters. My letters always seemed to surprise people, making them laugh when they needed a laugh, shoring them up when they needed support. The feedback all seemed positive and appreciative that I was able to sense their needs and write something that helped. Whenever their comments focused on my making them laugh, I was in heaven. Even as a child, I fancied myself a cross between Cornelia Otis Skinner and James Thurber – my dreams were big. It was only a matter of time before I penned the great American comedic novel.
A great panel
Then life happened. I taught English to high school kids who suffered through my love of literature and taught me new forms of grammar and spelling that haunt me to this day. When the academic life began to pale, I ventured into the world of advertising. Sure I would be a star copywriter, I instead found myself behind a calculator in the world of media buying. It was hard work and it kept me busy. Too busy to write a novel.
As the years progressed, I found myself the owner of an ad agency with one, two or three partners, depending on the year. During one particularly stressful period when the economy was lagging and my CFO partner was obnoxious as hell, I found myself looking for escape. That’s when I started my first novel.
In retrospect, I think I wrote about murder to assuage my desire to commit murder. Killing off people who cause you extreme stress is so cathartic. And when you do it in a novel, you don’t go to jail.
October 22nd, 2018 → 6:03 pm @ Robin Donovan
Hide things – who me? Hell yes, I’ve hidden a ton. So, you’re asking me to give it all up now? Let’s see where I can begin. Book one, Is It Still Murder Even If She Was A Bitch?, was written after a small group, lead by one of my business partners, who had a fairly public breakdown, tried to stage a coup and throw the other two of us out of our company. There are numerous veiled references to the details of the coup, e.g. wanting financial gain without having to invest, etc. One of the less savory characters in the book has the combined name of two of the conspirators. I could go on, but that would be too much of a spoiler alert. Let’s just say the murder victim will not be sorely missed. And suffice it to say the coup was unsuccessful.
In book two, I Didn’t Kill Her But That May Have Been Short Sighted, a great deal of the back story consists of true events from my early days in advertising. Although they’re not exactly hidden, the reader would never know fact from fiction. The inspiration for the murder victim actually did all of those obnoxious things. The events leading directly up to the murder, however, are all carefully crafted fiction. The hidden part consists of numerous little character traits and foibles that paint a startlingly accurate picture of my victim, right down to the physical description. Once you know the facts, you would never question the accuracy of the fiction. The portrayal of B.J. comes from years of watching and listening to her inspirations’ unprincipled behavior.
In book three, I Don’t Know Why They Killed Him He Wasn’t Really That Annoying, the major hidden message lies in the treatment of one of my former partners. He had joined the company shortly after “the coup” and was fine for a few years. Then had his own version of a breakdown. He’s featured in the first two books as my valued partner and legendary smart ass, Donny Miller. He makes an excellent foil to my protagonist, Donna Leigh. By the time I started writing this third book, the inspiration for Donny’s character had exited the company in a most contentious fashion. Throughout the book, there are references to his departure that are in reality private jokes.
Reading through my response I arrive at two conclusions: I have actually hidden quite a bit (and this is only the tip of the iceberg) and it’s unhealthy to be my business partner if you’re a man.
https://www.thewritingking.com/secrets-books/?fbclid=IwAR3F_vhNDIaNQUDm28fotuhdM1hKDJeGWIj-znKbA9ZI6Vr30QO-9ZdJUl0
September 12th, 2018 → 8:10 pm @ Robin Donovan
https://www.fictionmasterclass.com/interview-with-robin-donovan/
September 10th, 2018 → 9:35 pm @ Robin Donovan
J.E. Feldman’s Exploits
https://dragonqueen3.wordpress.com/2018/09/10/author-interview-with-r-l-donovan/
April 5th, 2018 → 4:48 pm @ Robin Donovan
Robin Leemann Donovan – Is It Still Murder Even If She Was A Bitch?
by Robin Leemann Donovan
Genres: Cozy Mystery, Humorous
Format: Kindle, Paperback
Alt=”Robin Leemann Donovan”Is It Still Murder Even If She Was A Bitch? (The Donna Leigh Mysteries Book 1) by Robin Leemann Donovan
Synopsis:
How does one react to the shocking news that a former colleague has been brutally murdered? Worse yet, you realize that your vitriolic relationship with the victim could land you squarely on the suspect list. That’s exactly what happened to Donna Leigh, a menopausal ad exec, who jumps right into the investigation in order to keep the wolves away from her door. She manages to amuse, as well as impress with her effective but unorthodox sleuthing.
Review:
Witty, hilarious, mysterious.
Donna Leigh is the co-owner of the Marcel advertising agency in the Midwest. One day while at work, she is informed that her former colleague, Claire Dockens, has been brutally murdered while leaving a charity dinner. Donna and Claire have always had a caustic relationship, so Donna begins to think that she could become a suspect. And, she’s not the only one at the agency that fears being a suspect. There are others. Due to Claire’s insulting, rude behavior, she had many enemies. There could be several of Donna’s coworkers and friends that could be on the list of suspects. So they decide to take matters in their own hands and solve the murder themselves with Donna leading the investigation. With the menopausal unlikely sleuths on the case, things get crazy and out of control. But in the end, the women turn out to be better sleuths than the professional investigators themselves. Will they solve the case?
Is it Still Murder Even If She Was A Bitch is a hilarious, engaging mystery story about a smart, witty, menopausal woman that gets pulled into investigating a murder in order to keep herself from becoming a suspect. Out of fear of being accused, Donna and her friends become amature sleuths. They decide to do the detective work themselves. They are rash and clumsy and fumble around while they are investigating. All kinds of things go hilariously wrong, but in the end they do a better job than the investigating officers. Meanwhile Donna is struggling with hot flashes, memory problems, clumsiness and all kinds of thoughts running rampant in her mind. But, even though she struggles, she is never without an entertaining response.
Author, Robin Leemann Donovan, has done a great job of writing a funny mystery filled with wit, humor and twists and turns. She takes readers on a roller coaster ride of clues, mishaps and triumphs. She writes comical dialog, engaging characters and amusing scenarios and scenes with precision and skill. There is a lot going on in this well written story. I loved that Donna and her friends are devoted followers of fashion but are always ready to get their hands dirty, they are bold, daring and impulsive.
I love cozy mysteries, and Is It Still Murder If She Was A Bitch is right up there with my favorites. It has all the components of a riveting perfect cozy mystery.
The descriptions are well composed, and a delight for the senses. I could picture everything vividly and felt like I was there. The characters are hilarious and well developed. One of the things that I liked about it, is that there are just the right amount of characters to keep track of. Especially since I am over 50 and menopausal myself. I could totally relate to the characters and scenarios as well.
I couldn’t put the book down. It kept me engaged and up late at night. It’s a quick, easy light hearted, yet mysterious, read. Robin Leemann Donovan is a fabulous writer, and I am looking forward to reading the next book in her series, The Donna Leigh Mysteries.
Reviewed by Chick Lit Cafe
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